STUFF I LIKE
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Sardinia Radio Telescope - photos by Bruce Sterling
Follow Wired Magaiznes Bruce on tumblr -
Skyscraping Tower of Abraham Lincoln Books
Soon to be on display at the newly-constructed Ford’s Theatre Center for Education and Leadership in...
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Kent Williams
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Alexandra Pacula
‘Mesmerizing Whirlwind’, 2011
oil on canvas
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Wire Violin by Emily Fang
I mistakenly thought this was one of those single-line drawings originally, but then I realized there was an extra...
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Passenger by Brandon Vickerd
Seeking to insert an “anomaly into the viewer’s everyday experience”, placing taxidermied animals into a seemingly...
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Monochrome Metropolis by Martin Stavars / posted by ianbrooks.me
Sometimes I feel that when you remove the color from a picture, you diminish its...
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Globus by Sashie Masakatsu
I dont want to alarm you, but if I had the ability to roll up everything in the world all Katamari-style, I’d totally...
Ball-Nogues Studio ”Built to Wear”
Temporary spatial installations within urban cultures are a rapidly evolving phenomenon. Unlike “permanent” buildings, these structures nimbly respond to the accelerated temporality of cities on the move like Shenzhen and Hong Kong.
Vertebrate Companion Series, 2010 - 2011, Oil pigment on stretched canvas over wood armature.
- Vertebrate Companion Series, Number 15, 2011
- Vertebrate Companion Series, Number 17, 2011
Artist HANS BREDER
Algus Greenspon presents an exhibition of new paintings, conceptual sculpture and video by Hans Breder running from Friday March 16 through SaturdayApril 14, 2012.
The current exhibition draws on three aspects of Breder’s work: new paintings grounded in an exploration of the neuro-opthalmology of image perception, conceptual sculptures made by telephone in 1969, and a recent video installation, continuing Breder’s 40 year interest in the medium.
Ernesto Neto: crazy huperculture in the vertigo of the world
brazilian artist Erneto Neto has created ‘crazy hyperculture in the vertigo of the world’. neto has created a insulated, suspended labyrinth covers the entirety of the space. the tactile installation is one in which the gallery goer enters the sculpture, walking from the entrance of the ground floor to the sky-path the artist created. strung through out the membrane are small satchels containing spices of various color and scent, further engaging the viewer with the interactive sculpture. the work is formed with the ideals of neo-concreto, ‘places the spectator at the center of creative action’ concept in mind, engaging many of the viewer’s senses in order for the individual to fully comprehend the piece.
‘crazy hyperculture in the vertigo of the world’ was developed for installation at faena arts center, in buenos aires, argentina.
